Plausibility

(Alternate Titles:

Hedy and George;  Ballet Mécanique)

 

A Constructivist Comedy

 

 

Tony Rothman

 

 

 

 

15 May 98

First Revised Version:

March 99


           

 

 

To Tom O’Horgan

 

 

 

 

 

 

 

 

 

 

            I saw thousands of electric lamps strung in the heavens and illuminated from one switchboard to create God; vast cinemas projected a new dimension in the skies; music--machines large enough to vibrate whole cities.  All these although later appropriated were first my very own.  The ecstatic poetry of space!  The satisfying hardness of time!

                        --George Antheil

 

 


Cast

 

The Younger Hedy Lamarr (YH)--The screen actress (1913-  ), until the age of 25 or so.   Slightly underendowed, at least she thinks so.  She speaks with an Austrian

          accent.

The Older Hedy Lamarr (OH)--The same after about the age of 25.  Tough as nails.

The Younger George Antheil (YG)--The American pianist and composer (1900-1959), until about age 40.  Baby-faced.  Very talented, very brash, a bit of P.T. Barnum.

The Older George Antheil (OG)--The same after the age of about 40.  Not entirely washed up, but he’s taken hits.

 

Three Alter Egos:

Salvatore (SAL)--A barrel-organist/player-piano repairman, who may secretly be a quantum field theorist.  Speaks with an Italian accent, then a German accent.

Kung-ming Kao (KM)--a Confucian advice-to-the-lovelorn columnist who may secretly be a being from the fourth dimension.  Dressed like a Mandarin, talks a bit like Charlie Chan.

The Hormonal Detective (HD): Hard-boiled, sometimes, she wears a fedora, a trench coat, carries a magnifying glass and talks impossibly fast.

 

Cameos by the following, who can be covered by four male actors and one female actor, as indicated:

 

Director, Fritz Mandl, T.S. Eliot, Louis B. Mayer, Virgil Thomson, W. B. Yeats, C.B. DeMille, Historian

Cameraman (silent), Mandl’s lieutenant (silent), Ezra Pound, Fernand Léger, Frank Sinatra, French police officer, Engineer 1 (silent).

Nobleman, Business associate 1 (silent), James Joyce, Judge, Albert Einstein, Gerhart Hauptmann, Psychiatrist, Groucho Marx, Salvador Dali

Business associate 2 (silent), Customer at a brothel, Ernest Hemingway, Policeman, Buck Rogers (silent), French Artist, Gene Markey, JFK, Ghost 1 (silent), YH’s Lover (silent), Announcer, Engineer 2.

Anne (silent), Laura (a maid), Lolly (a wardrobe girl), Ghost 2 (silent), Snake Charmer, C.B.’s Secretary, Boski (Antheil’s wife).

 

Notes

            There are four time sequences in the play.  Scenes concerning YH move forward in time from about 1932 until about 1940.  Scenes concerning YG move forward from about 1923 until about 1940.  Thus YH and YG are growing older.  Scenes concerning OH move backward from the present until 1940 and scenes concerning OG move backwards from about 1959 to the same point.  Thus OH and OG are growing younger.   All timelines converge at the meeting of Lamarr and Antheil.

            No scenes have been indicated because the action is meant to be continuous.  The play is divided into two acts with an Intermission but the break can be omitted.  The few bracketed passages [ ] indicate possible cuts.

            The films called for in the script are readily available at major video stores, such as Eddie Brandt’s in Hollywood.  The single exception isL’Inhumaine..  The author wishes to thank John DeBartolo for supplying a video of this film, as well as one of Léger’s short film Ballet Mécanique. The music of George Antheil called for is also readily available on CD.  Other music of Antheil (e.g. Transatlantic) seems to exist only in score, but may be worth investigating for possible use.